The LATIN QVARTER
The Song of Arms
and a Man
Following a rousing premiere at the Ivor Gurney Hall in Gloucester on 9th June, The Song of Arms and a Man is coming to Bristol on 9th February 2019.
This is the story of Aeneas’ escape from Troy, his stay with Dido and his struggle to fulfil his destiny as founder of Rome. The readings from Virgil's Aeneid are selective, but tell the whole story of the poem, rarely heard, in a unique presentation of the original Latin verse, echoing the ancient culture of public performance of poetry.
George Sharpley's adaptation of Virgil's poem is presented with an English narration and the Latin is read by Emma Kirkby, Matthew Hargreaves, Elizabeth Donnelly and Llewelyn Morgan.
9th June 2018, Gloucester
"What a wonderful performance"
"Like travelling back in time and sitting in the middle of the theatre!"
"A special evening, never mind I had nil Latin"
"Such a privilege to get 'close' to Virgil"
"An excellent production and very interesting even for someone who did not enjoy Latin at school"
by the Latin Qvarter
7-9pm, 9th February 2019,
Wills Memorial Bdg, Bristol,
for published courses
Catch up with mulus
and his friends
Why Latin in cathedrals?
In the 8th and 9th centuries there was a renaissance of learning in Europe, and Latin was at its heart – in cathedrals and monasteries.
At that time the overlord of a large part of western Europe, Charlemagne, had many new cathedrals and monasteries built. He instructed them to teach Latin, to produce more scribes to work in the courts and more priests to use the one language shared across Europe.
The Latin of Charlemagne’s day was a broad sweep of literature. There were liturgical and religious texts, laws, histories, administrative records (then, the clergy did all the ‘clerical’ work), works of fiction and poems, and also the treasured books of a much earlier time.
These pre-Christian writers – poets, historians, orators, storytellers and letter-writers – reflected values of a quite different world; but they were too good to ignore. The great classical writings of Cicero, Virgil and Ovid, whose stories of mischievous gods and whimsical goddesses were treated as allegories, were copied and kept alive in the cathedrals and monasteries like Gloucester above.
Emma Kirkby reads from Aeneid 11: Diana prepares to avenge the death of her favourite, Camilla.
Matthew Hargreaves reads from Aeneid 6, Virgil's story of Aeneas visiting the underworld.
Martial's doctor leaves him feeling even worse.
Catullus to Lesbia:
let's live and love
Virgil's distraught hero Aeneas has lost his wife. Here he is comforted by her ghost.
Carpe diem, says
Horace to his girl.
Ovid's story of
Narcissus and Echo
Why would the ablative case help detectives solve a murder mystery?
with cartoon exercises
Teach Yourself Complete Latin
George Sharpley reads from Gavin Betts' course.